Horror Soundtrack Cd Halloween or Horror or Album or Art or or Trick or or or Treat
The 30 best Halloween songs of all time
All 'Thriller', no filler with our listing of the all-time Halloween songs of all time
Along with a great costume and a queue loaded with solid horror movies, a playlist of the best Halloween songs is essential to the success of any Halloween celebration. As such, we've scoured the catacombs of our favorite streamers and blown the cobwebs off our Jewel cases to compile the ultimate Halloween music soundtrack.
These songs are guaranteed to go you moving, whether you're braving the horrors of an indoor gathering or perfectly content to gorge on fun-sized candy in the comfort of your own home. We promise, the list is all 'Thriller', no filler (non really... we didn't just put 'Thriller' on the list thirty times, though you'd be forgiven for doing just that.) And for younger crowds, check out our listing of Halloween songs for kids.
Written by Brent DiCrescenzo, Christopher Tarantino, Andy Kryza, Adam Feldman, Kate Wertheimer, Andrew Frisicano, Sophie Harris, Carla Sosenko and Nick Leftley.
Listen to these songs on Amazon Music
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Best Halloween songs, ranked
1. 'Thriller' by Michael Jackson
'I'thou non similar other guys,' Michael tells his girl at the beginning of the greatest video always fabricated, from arguably the greatest album always made. Did we realize how prescient that statement would exist in 1982? So much of 'Thriller' shouldn't piece of work – MJ is a doll, 71-year-former Vincent Cost raps, and it's 6 minutes long. But together, it's ballsy genius, riding on an insistent, funky Minimoog bass line. 'I wish to stress that this motion-picture show in no style endorses a belief in the occult,' Jackson wrote concerning the video. No, but the Elephant Man basic and chimp did.
2. 'This is Halloween' past Danny Elfman
Elfman honed his signature horror-tinged musicality with Oingo Boingo, but unleashed it total force on this banger that leads off The Nightmare Before Christmas with jingle-jangle lunacy as a chorus of ghouls pulls a roll-call for the playful horrors to come. It's a kids' vocal full of bloodthirsty clowns and whispery vampires, all of whom come together for a chant of the song'south title, all but cementing it in the Halloween canon.
3. 'Flavor of the Witch' by Donovan
Donovan never explains quite what he ways by a 'season of the witch' in this five-infinitesimal foray into ominous psychedelia, from the British singer-songwriter's 1966 album,Sunshine Superman. Only a shiver of paranoia runs through the song'due south delineation of identity flux ('So many different people to be') in a world gone topsy-turvy ('Beatniks are out to make it rich'), and the guitar part – played past a pre-Zeppelin Jimmy Page – adds welcome notes of acid.
4. 'I Put a Spell On You' (Remix) by Screamin' Jay Hawkins
Arguably one of the original Halloween songs. Inarguably 1 of the greatest. Hawkins's tune – which he claims to not remember recording – permanently added the Screamin' to his God-given name. 'Before, I was simply a normal blues singer. I was simply Jay Hawkins, (simply) I establish out I could do more destroying to a vocal past screaming it to death.' He plant out he could also practise more if he appeared out of a coffin on stage in a black cape, tusks coming out of his nose, accompanied past a cigarette smoking skull sidekick named Henry. A rare remix by KCRW's Jeremy Sole.
five. 'Surfin' Dead' by The Cramps
These rockabilly goths were always a B-movie for your ears, and then it was inevitable that Lux Interior and Poisonous substance Ivy would end upwards on the soundtrack to a campy slasher flick. In 1985,Return of the Living Dead popularized the notion of zombies chomping brains. In the motion picture, a bunch of punks battle the undead—only the Cramps have a hard time choosing a side. When Interior sings 'Run run run run!' it sounds just like a chain saw itching to rip through necrobiotic flesh. But in the stop, he makes information technology seem more fun to be one of the rotting.
half dozen. 'Ghost Town' by The Specials
Okay, and then technically this vocal is about unemployment, inner-city violence and urban decay, non decomposable mankind. But the 1981 striking, released at the summit of the United kingdom's recession riots, still creeps u.s. out in the very best way, with eerie flute solos, ominous lyrics and maniacal, childlike la-la-las – plus some pretty spooky synth fades.
7. 'Pet Sematary' past The Ramones
Difficult to believe the original Ramones are all expressionless. By 1989, the punks' career was well-nigh 6 feet under. But this toe-tapping title track from a hit horror picture show, a bite-size Snickers with a metal shard within, put the New Yawkers dorsum on MTV, introducing a new generation to the leather-wrapped Phil Spector fanatics who looked like motorcycle zombies. If just Stephen Male monarch's resurrecting graveyard were existent – we miss these buffoons.
8. 'Somebody's Watching Me' by Rockwell
If Rockwell (real proper noun Kenneth Gordy, son of Motown founder Berry) shivered at Big Blood brother'due south glare in 1984, i tin can only imagine what he'd make of the Cyberspace historic period, where the regime, news media and rogue hackers are all every bit likely to be keeping tabs on yous. The 'Thriller'-esque hook comes courtesy of Rockwell's buddy Michael Jackson, a skillful dude to have on speed-dial, though I'm non sure how much help he'd be if you're looking for someone to check for monsters in the closet.
nine. 'Boris the Spider' by The Who
On this deep cut from 1966's A Quick I , John Entwhistle leads the bass-heavy charge in a song precision-calibrated to go under arachnophobes' skins. Roger Daltrey performs some signature vocal acrobatics, too, growling the song's title at the chorus before pulling off a manic falsetto to repeat the words 'creepy crawly" over and over once more in a whirling dervish of playful menace… only in case the lyrics had somehow been construed as subtle.
10. 'Supernature' past Cerrone
French 1970s musical icon Marc Cerrone created this frightening (for then at to the lowest degree) vision of a non-as well-distant sci-fi hereafter where escaped mutant creatures created in a lab to end man starvation take rebelled confronting their makers to disastrous outcome for all. Basically sci-fi disco for the Studio 54 fix, this track is the greatest argument on that brief genre. Period. The video (and album artwork) are besides rock-cold classics. Enquire your parents.
11. 'Welcome to my Nightmare' past Alice Cooper
Shock-rock pioneer Alice Cooper could single-handedly populate this list with tracks like 'Feed My Frankenstein' and 'Billion Dollar Babies,' only 'Welcome to My Nightmare' is in a course all its own thank you to its stabbing horn accompaniment and Cooper's skin-crawling commitment. The original'southward a horror-rock masterpiece, merely seek out the version Cooper performed with a chorus of Muppets, a combination of pop-culture misfits that'southward also delicious to skip.
12. 'Halloween' past The Misfits
Funny how time tames horror. In 1981, the Misfits seemed genuinely scary. In hindsight, they're as dangerous equally a Scooby Doo mystery. But, peachy Beelzebub, what fun! 'Candy apples and razor blades! / Little dead are presently in graves!' croons Glen Danzig, somewhere between an Elvis impersonator and an amateur MMA fighter. 'Skulls' might amend spook the kids today, but this noir pop is on-point – like Jerry Only's hair.
13. 'Red Right Paw' by Nick Cave and the Bad Seeds
Of form, we could've put together an entire list of Nick Cave songs to score your Halloween shindig, but instead we're choosing Cave's singularly most creepy cut. A smoldering slow-burner, 'Ruby Correct Paw' appears on 1994'southMurder Ballads album and lifts its championship from John Milton'southwardParadise Lost epic poem – which refers to the supposedly vengeful paw of God. Information technology'southward been used in all threeScream movies, such is its spook-factor. Show off your vampiest moves on the dance floor as y'all shimmy along to its rumbling drums, clanging bells and Cave's sinister lyrics.
14. 'Monster' by Kanye W
'Ye pulled out all the stops on this 2010 rail: He's got guest vocals from Jay Z, Nicki Minaj, Rick Rossand Bon Iver (considering why not?). The gang proper name-checks nightmarish images at every turn – blood suckers, goblins, the Bride of Chucky – and dishes out a healthy helping of Haterade to critics and skeptics, but information technology'due south the funky groove and sick rhymes that'll enhance the goosebumps (in a proficient way). Some of us (notnaming names) may fifty-fifty similar to pretend nosotros're Nicki Minaj sometimes and spit the Harajuku Barbie'south verse (the best one of the bunch) in the privacy of our apartment.
fifteen. 'Vampires' past DJ Touche
Theo Keating a.k.a. DJ Touché a.thousand.a. Fake Blood a.k.a. formerly the Wiseguys a.k.a. half of the Black Ghosts a.k.a. a guy who knows his horror. This cut is just one in a long list for someone who's had more than twenty years to rack up quite a few proverbial 'kills.' It's the title runway of his EP (aslope other funky frighteners 'Zombies' and 'Spectres') on Fatboy Slim's Southern Fried Records.
sixteen. 'Bela Lugosi'southward Dead' by Bauhaus
Bela Lugosi died in 1956. Informing people of his demise in 1979 was strictly the concern of the near archetypal of goth bands, Bauhaus. Goth is a cocktail best served as equal parts glamor and nihilism. Singing about Dracula is metal. Singing about the Hungarian star of the silvery screen who played him is goth. The ticking dirge was used fabulously inThe Hunger, in the coolest opening sequence of '80s cinema, a montage of sex, jump cuts, drugs and Bowie. At concluding, frontman Peter Murphy was a vampire in the movies.—
17. 'People are Foreign' past Echo and the Bunnymen
If yous can't commit a fleck of sacrilege at Halloween, and so when tin you? We're choosing Echo and the Bunnymen'south 1987 version of this song over the Doors' original, partly because this encompass soundtracked cult '80s vampire movieThe Lost Boys (a Halloween must-see), but also because it kicks ass with its dramatic pauses, spooky piano flourishes and – oh! – that ending.
18. 'State Expiry Song' past Violent Femmes
The Femmes took a suspension from their stripped-downwardly folk-punk bubblegum mania and teenage angst for this truly spooky country number in which a deranged farmer confesses to drowning his daughter in a well. Chipper stuff from the 'Cicatrice in the Sun' tri! But the combination of Gordon Gano's nasal wailing, the Southern gothic vibes, and the doomy baseline make for an unlikely bone-chiller.
19. 'Hell'southward Bells' by Air conditioning/DC
Long before Metallica's 'For Whom the Bong Tolls' brought the menacing sound of church bells to metal, AC/DC used them to announce the arrival of this sinister petty number. Does it sound exactly like every other AC/DC vocal? Of course it does. Simply with church bells, so you know it'south spooky.
twenty. 'Vampire Nightclub' by Fine art Section
Art Section, which is now simply No. 19 boss Jonny White going solo – just at the time likewise included Canadian business firm fable Kenny Glasgow – linked up with the ghost of Seth Troxler–past on 'vocals.' Information technology's not until halfway through this face melter that it dawns on you that the championship may be a double entendre that y'all're non sure y'all completely get.
21. 'Tubular Bells Office 1' Mike Oldfield
If you're looking for something to prepare the mood, throw on this 1973 track and sentry everyone's hair stand on end. At to the lowest degree, everyone who's seenThe Exorcist. What could have been a beautiful orchestral slice is instead insidiously and inextricably tied to images of projectile vomit and bloody crucifix masturbation. Oh well, happy Halloween!
22. 'Suspiria' by Goblin
A lovely (re: horrifying) companion to 'Tubular Bells,' Italian avant-garde/prog-stone/jazz outfit Goblin'due south score for Dario Argento'south fever-dream horror Suspiria is the stuff of musical nightmares and a hell of a mood setter… especially if you want to mood to veer closer to 'Seventh Circumvolve of Hell' than 'Monster Mash.' With creepy whispers of 'witch' and its never-ending loop of bells undulating between hypnotic and chaotic, it's a dreamlike plunge into darkness. And so, um, who wants to bob for apples?
23. 'Werewolves of London' by Warren Zevon
Somewhere between Brecht and Weill's 'Mack the Knife' and Bret Easton Ellis'sAmerican Psycho lies Warren Zevon's silly-witty 1978 novelty striking nearly everyday monsters. Over an irresistible three-chord piano riff, Zevon's gift for dark one-act expresses itself in lyrics that swipe their claws slyly at the boiler of horror – 'I saw a werewolf drinking a piña colada at Trader Vic's / And his hair was perfect ' – but the droll wolf-telephone call refrain ('a-hooooooooo!') makes you desire to requite up and join the pack.
24. 'Monster Mash' by Bobby 'Boris' Pickett & the Crypt-Kickers
The perennial holiday favorite (or Halloween party-atmosphere–killer) was released in 1962, and has been clawing its style out of the grave every year since. It'southward been covered by maybe the almost eclectic grouping of bands of any song ever (the Embankment Boys, Bruce Springsteen, Vincent Price, Alvin and the Chipmunks, the Swell Pumpkins and The Misfits, to proper noun but a few), merely the moldy quondam original is still the preferred classic.
25. '(Don't Fear) The Reaper' by Blue Öyster Cult,
Blue Öyster Cult's expiry song, a creepily seductive exhortation to go gently into that dark night, became an instant rock classic when it came out in 1976, and has been a staple of horror culture ever since, notably in Halloween and Scream. (Its anarchistic percussion also inspired a beloved Saturday Night Alive sketch, with a shaggy Will Ferrell cavorting in an undersize tee and Christopher Walken barking 'I gotta take more cowbell, baby!') BOC'due south pb singer and guitarist, the colorfully named Buck Dharma, insisted that the song was not most a romantic suicide pact, but information technology's hard to know how else to read lines similar 'Romeo and Juliet are together in eternity... Nosotros can be similar they are.' The velvet sheath of Dharma's mellow vocals doesn't cover the scythe.
26. 'Ghostbusters' by Ray Parker Jr.
At that place are at least two Time Out New York editors who believe that the office of this 1984 archetype where Parker ecstatically croons, 'Bustin' makes me feel skilful!' is the single-greatest slice of music e'er recorded (and they will fight you over this stance). Huey Lewis actually sued Parker over the song's similarity to his 'I Want a New Drug,' probably because he was jealous of how much better "Ghostbusters" is.
27. 'Psycho Killer' by Talking Heads
David Byrne's feral yowl lone makes this hypnotic, eerie early Talking Heads archetype a Halloween essential, simply information technology'due south just the blood-ruddy bow that ties 'Psycho Killer' together. The song – mathematically precise until information technology goes jaggedly out of rhythm – feels similar information technology was wrested from the mind of a particularly melodious murderer, i with with a tendancy to slip unexpectedly into French or a huge suit depending on the mood.
28. 'Dracula' by Gorillaz
This cartoon troupe remains the greatest show of Damon Albarn's spliff addiction. A bonus cut from the band's 2001 debut, 'Dracula' conjures voodoo vibes with a deep dub groove. 'Everybody, party time. Some of us volition never slumber again,' Albarn sings, staring down the dawn with bloodshot eyes. An all-night bender is the closest thing nosotros have to feeling undead.
29. 'Living Expressionless Girl' by Rob Zombie
Rob Zombie's full-throated embrace of souped-upward hot rods, dead bodies and classic monsters came to a head with this shredding classic of the '90s horror-core revival, a cheesy, rollicking slice of mail-industrial rock that somehow found its way onto mainstream radio stations and into the hearts of mall goths everywhere. Yeeeeah.
30. "A Nightmare on My Street" past DJ Jazzy Jeff and the Fresh Prince
According to Will Smith, Freddy Krueger is a David Letterman fan who's 'burnt up similar a weenie' and weirdly wears the aforementioned chapeau and sweater every day, even when information technology'due south hot out. The 1988 rails stacks Smith'due south story of his encounter with 'Fred' over a hip-hopified mix of A Nightmare on Elm Street'south theme song, making for a party-friendly (if rather long-winded) ghost story.
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Source: https://www.timeout.com/music/best-halloween-songs
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